sabino:

by katie de bruycker

(via flourhoneyandmilk)

“Some people are bullfighters, some people are politicians. I’m a photographer.”

Blow-Up (1966)

(Source: iwdrm, via thethinkingtank)

suicideblonde:

natashavc:

“Women who encountered Joan Didion when they were young received from her a way of being female and being writers that no one else could give them. She was our Hunter Thompson, and Slouching Towards Bethlehem was our Fear and Loathing in Las Vegas. He gave the boys twisted pig-f-ckers and quarts of tequila; she gave us quiet days in Malibu and flowers in our hair. “We were somewhere around Barstow on the edge of the desert when the drugs began to take hold,” Thompson wrote. “All I ever did to that apartment was hang fifty yards of yellow theatrical silk across the bedroom windows, because I had some idea that the gold light would make me feel better,” Didion wrote. To not understand the way that those two statements would reverberate in the minds of, respectively, young men and young women is to not know very much at all about those types of creatures. Thompson’s work was illustrated by Ralph Steadman’s grotesque ink blots, and early Didion by the ravishing photographs of the mysterious girl-woman: sitting barelegged on a stone balustrade; posing behind the wheel of her yellow Corvette; wearing an elegant silk gown and staring off into space, all alone in a chic living room.”

The Autum of Joan Didion — By Caitlin Flanagan

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(Source: tattoosbytoby, via narcosis)

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(Source: cherrywhore, via shakingwrists)

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webissance:

This 2009 image captures the scene on a foggy night in Odessa, Ukraine, when a digital billboard crashed and displayed a floating error warning in the night sky.

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(Source: comiques, via thisbitinthemiddle)